Into
the storm is not only the perfect storm. It should rank as one of the best chill
out movies I’ve seen after a long while. The best thing about the movie is
there is no villain in it, unless you hate your life so much that you see typhoons
as your enemy. The plot is nothing to make you lose sleep and think seriously
hard which is really the reason I loved it. Some movies try expect you to understand the phenomenon of inter-galactic molecular combustion while discussing on the
side how sheep cell can be replicated to produce the animal’s living carbon
copy through the wonders of medical cloning. Let’s leave those movies to the
intellectuals.
Into the Storm has refreshingly none of that BS, thank God. To put is simply,
there are movies that thrive on the philosophy of filmmaking where the less you
think, the more you enjoy. And Into the
Storm proved that philosophy once again. There was a time “2012” was my number
one disaster movie, a close second should be the Will Smith starrer “Independence
Day”. Well, the ranking has changed and I should place “Into the Storm” on top
with “2012” a distant second. That’s how good the movie is. Well I urge you not
just to believe me but you better see for yourself. Watch it, for the love of
God!
For
one, the movie was able to overcome my initial reluctance to pay money to see
it considering that people like me have this natural tendency to be seriously
skeptical of films that come out after a major disaster happens, which I feel
are all about squeezing an otherwise unfortunate
event of its commercial potentials to generate money.
But
although I still think the film capitalized on what Yolanda’s did to Leyte, the
redeeming value of Into the Storm is the way it concentrated almost entirely on
capturing the visual images of the hurricane on a rampage. There was no major political
statement to be made. Unlike in “2012” where the president had to make the
decision to stay with his people to the bitter end or in “Independence Day”
where an emotional speech was inserted somewhere before the ultimate showdown
with the alien-invaders. In Godzillah for instance, the movie tried to take a stab
at the awful state of politics in New York.
Into
the Storm resisted the temptation to criticize the human race for its endless
political agenda or mankind’s plunder of the environment. It was like “hey
buddy, let’s just watch this thing and relax, okay?” is the overwhelming attitude
of the film and oh yes, it got the message through and stayed true to the theme
the entire two-hour screening. There was no letup in the action the moment it
began.
This
movie decided to spare us from the awful sight of people dying and starving and
living in shelters. Instead we are treated by the movie to a larger than live
rather, more aptly, closer than close viewing of flying trucks and airplanes,
of buildings being lifted off the ground, and treated the imagination to spectacular
sights that we will otherwise not be able to see up close in real life and expect to live
to tell what happened.
The in-your-face treatment of disaster scenes highlighting
only the physical destruction may lack the emotional punch if people were
placed upfront and in the center of the drama but hey, that is precisely the
point the film was trying to make – its lack of pretense or political agenda. The
film succeeded beautifully in this regard. In the beginning, the movie
introduced to us two characters, a pair of thrill-seeking bums who would to
anything for a kick attempting to be the next you tube sensations with the
craziest video stunts. They just lacked one member to be the
Three Stooges. But anyway, they made the whole movie fun while it lasted –
right to the very end. I wouldn't want to spoil the thrill here so let me just
mention that the movie regardless of its hardcore topic, took its time teasing
our sense of humor.